Maria A. Niederberger

I. Antezedenz (Antecedence), II. Blautöne (Blue Hues), III. Stilleben (Still Life), IV. Szene (Scene), V. Wellen und Vektoren (Waves and Vectors), VI. Finale (Finale)

2008-2009; Impromptu I: «Tears, From Heaven, Transformed, Falling on His Heart», Impromptu II: «With Whom Shall I Speak?», Impromptu III: «Joy Mingling With Sorrow»; ca. 11'

For flute (also alto-flute), clarinet (also B-clarinet), bassoon, percussion (2), violin, viola, cello and piano; ca. 8'

For string quartet and piano; ca. 10'

For clarinet (also bass clarinet), marimba and piano; ca. 18'

For symphony orchestra with harp and piano; ca. 4'30''

For flute, oboe, clarinet, bassoon, horn, trumpet, trombone, contrabass, percussion and piano; I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries; ca 20'

1996-97; for flute, oboe, clarinet, bassoon, percussion (2), string quartet, contrabass and piano; Fantasy Prelude: I. Nächtlicher Kojotentanz (Dance of Coyotes by Night), II. Morgensonn’ das Meer enthüllet (Morning Sun Unveils The Sea), III. Purple Horses, IV. Yosemite; ca. 11'

For violin and piano; I. Shapes, II. Premonitions, III. Dance of the Alpine Birds; 12’

For oboe, french horn and piano; I. Introduction, II. Cayenne Pepper, III. Blooming Desert; ca. 08'30"

Song cycle for soprano with piano; 4 songs: 2 in German, 2 in English; Lyrics by Silja Walter, Pablo Neruda, Langston Hughes, Ingeborg Bachmann, German-English translation: Niederberger Maria A.; ca. 10'

For voice and piano; lyrics: Niederberger Maria A. ; 2’40”

2007-2009; song cycle for soprano and piano; Winged Worshipper (Lyrics: Charles Sprague), Shadow Evidence (Lyrics: Mary Mapes Dodge)

For choir with flute, triangle and string quartet (string ensemble) and organ; German lyrics: Niederberger Maria A.; ca. 4'

1999-2000; suited for organ and ensemble or (preferred) solo oboe and small orchestra (flute/piccolo, clarinette, horn harp, 2 violins, viola, cello, contrabass); ca. 20'

For Organ; I. Prayer, II. Spirit of the Ocean, III. Vision of the Humble; ca. 10'

For organ, choir, solo tenor and (SSSAAA) Women’s Ensemble; lyrics: Nahum Tate; ca. 6'