Three Etudes for Solo Piano (Arabesque in blue, Boca do Inferno, Whitsun bells in Mourão)
2014–2016; 90'; Intro (vs. extro) (2016): 3'30''; 6:5:4:3:2:1 (2015) 2'20''; UA: 9.9.2017 Transart Festival Bozen, Alfredo Ovalles; Contemplation contemporaine: Petite fantaisie sur l'harmonie de (la)
fantaisie (2016), 3'30'', UA:16..2 2017, Gent, Frederik Neyrinck; 990x4 (2014), 7', Intermezzo (I) reciclante (32%): Klassik (2016), 2'45''; UA 7.5.2018, Getafe, Cristina Lucio-Villegas; Ballad I: melody vs. harmony (360x5) (2015); 3'; chromatic loop fantasy (2015), 5', UA: 21.8.2017: Schattenburg Feldkirch, Agnes Wolf; 360x7 part I (=216x7; dabbling in fractality) (2015), 3'15'', UA: 27.4.2018, New York, Yumi Suehiro; Quarante-neuf Regards sur Vingt Regards (2016), 10'; Intermezzo (II) reciclante (100%): Technique (2016), 2', Étude de combination: Extraits de (la) fantaisie (2016), 2', scales vs. chords (2015), 2'30'', Interscriptum I/Passacaglia: The Colour of Numbers (3&4) (2016), 2'45'', Toccatina I (88x12) (2015), 1'45'', Fünf kleine (entwickelnde) Assoziationen (2016), 3'30'', Intermezzo (III) reciclante (48%): numeri dispari (2016),2'30''; 10x3x12 (2015), 4'30'', Étude de transformation: 24 Préludes (2015), 2'30''; 360x7 part II (=144x7) (2015), 3'15'', Interscriptum II/Palimpsest: Cadenza (2016), 3', UA: 11.1.2018: Kunsthaus Salzwedel, Veronika Kopjova; Ballad II (360x6) (2015), 6', Intermezzo (IV) reciclante (35%): nombres pairs (2016), 2'45'', Toccatina II: fade in-fade out (88x“1“; 8:6:4:3) (2015), 3'20'', Extro (vs. intro) (2016), 3', UA: 22.5.2018: Alte Schmiede, Wien, Kaori Nishii; Postscriptum (2x11x12): The Melancholy of Perfection(ism) (2016), 3'15''; UA: 9.11.2016, Rathaus, Wien, Clara Frühstück
UA: 30/01/2016, Sommets musicaux de Gstaad (Suisse) – Ryutaro Suzuki (piano)
8'; Version für Klavier Solo; UA: Klavierfassung: Mito, 17.6.2017
5'; UA: 10.12.2016, Bonner Kunstverein; Susanne Kessel, Klavier
17', commissioned by the Festival Piano à Saint-Ursanne, premiered by Vassilis Varvaresos, 2016
13'; UA: Vassilis Varvaresos, pf; 26.06.2016, Nohant; en hommage à Chopin
seit 1986 (work still in progress), 421 Titelnummern (Stand: 09 2018); 1. UA: 09.07.1988, Hombroich, Arnan Wiesel - Klavier
6'; 2015-16; Commande du Concours Clara Haskill 2017; à Jacques de Decker: UA: Théâtre de Vevey, Suisse, 25 août 2017; Finalistes du concours: Aristo Sham, Alberto Ferro et Mao Fujita
20'; UA: 15.7.2016 Shanghai, Fazil Say - piano, Long Yu - dir., Shanghai Symphony Orchestra
UA: 02.06.2017, München, Nicolas Hodges (Klavier), Symphonieorchester des Bayerischen Rundfunks, Ltg.: Johannes Kalitzke
25'; 2015-2016; Neuf scènes pour piano et orchestre d'harmonie avec 3 contrebasses, 4 percussions et harpe; création: 30.9.2017, Göttingen, Ancuza Aprodu - piano, l'Orchestre Symphonique de Göttingen, direction: Christoph-Mathias Mueller; commande de l'Orchestre Symphonique de Göttingen
2'30''; piano six hands; UA: 19.5.2016, Toronto, junctQín keyboard collective: Elaine Lau, Joseph Ferretti and Stephanie Chua
10'; UA:30. 12. 2016 Amsterdam, Lucas Jussen, piano; Arthur Jussen, piano
20'; for 2 violins, viola, cello, piano, electronics & video; UA; 3.9.2017; Brest; Video & Computer Music Design : Georgia Spiropoulos, Camille Giuglaris; Ensemble Sillages; Studios : CIRM, Nice
French horn, violin, piano; UA: James Sommerville - horn, Scott. St. John - violin, Peter Longworth - piano, November 24 2016, Toronto
14'; Commande de l'Auditorium de Barcelone pour le Cycle Sampler Series 2016-17; UA (Création): Ensemble CrossingLines, Mariano Chiacchiarini, dir., 01.06.2017, Fundació Miró, Barcelona
2003-2016; 12'; flute, cello, bass clarinet, bassoon, piano
for Piano and Drum Kit; UA: Vicky Chow, piano and Ben Reimer (drum kit), 23.1.2017
UA: 28.1.2017 Thomas Wise & Schnitzler Quartett; Refrath; zu Bildern von Eva Stammen-Grecianu
11'; two female voices, viola, piano, and drum set. (revised to include aux percussion)*UA: the Danns, Toronto, April 7, 2016, *revised version premiered by Yarn/Wire, Ekmeles and Anne Lanzilotti, New York, December 1, 2016
14'; UA: 12.7.2016, Schleswig-Holstein Musik Festival; Baiba & Lauma Skride
Flöte, Klarinette, Violoncello und Klavier; UA: 29. April 2016, Essen, Ensemble S201
12'; UA: Zürich, 18.11.2016; Marcus Weiss - Saxofon, Martina Schucan - Violoncello, Christoph Keller - Klavier
2014/2016; 22'; für Klavier, samples, Live-Elektronik und Stimme; UA: Gare Du Nord Basel, 2016, Petra Ronner/Klavier und Thomas Peter/Live-Elektronik und Stimme
24'; 2 pianists, 2 percussionists, and electronics; UA: Yarn/Wire; New York, December 1, 2016
Version for piano quartet; UA: 11.06.2016 Cēsīs; Orķestra Kremerata Baltica stīgu kvartets Quattro Baltica.
18'; für Saxofon in Skordatur (Sopran, Alt), Schlagzeug und Klavier (ohne Skordatur); UA: 6.10.2016, Zürich, Ensemble Werktag
2008/rev. 2016; 10'; flute/piccolo, clarinet, piano, violin, ‘cello; UA: Melbourne, Syzygy Ensemble, 12.5,2016
12'; UA The Schubert Ensemble; Bradford on Avon, 18.3.2017
Oboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier, Schlagzeug, Violine, Viola und Kontrabass; UA: 17.09.2016, Hannover, Ensemble Laboratorium, Lin Liao
fl, ob, cl, hn, pn, vl, va, vc, db, narrator; texts by E.A. Poe, Henry van Dyke, John Milton, Walt Whitman; UA
11'; Two poems by Antonio Carvajal; Soprano, violin, cello and piano; I.- Con el agua dormida. II.- Soneto de la herida; UA: 24/09/2016, Motril; Auxiliadora Toledano, soprano and Trío Arbós
10'; for baritone and piano; text: Joseph Brodsky (in Russian); UA: 11 July 2016, Bad Kissingen; Peter Schöne (baritone) – Jan Philipp Schulze (piano)
für Chor, Posaune, Klavier und Perkussion; Text von Michael Harlow
12'; version pour ténor et piano; Sonnets 18, 19 20 by William Shakespeare
35'; 1. Follow the Leader (see above) 2. Varanasi Haiku 3. This Is The Cow; texts: anonymous/Rolf Hind; for singer, saxophone, percussion and piano; UA: Trio ZOOM, Loré Lixenberg, voice/direction, April 2016, Kopenhagen